Interview
Glenn Goldman
United States
Glenn Goldman combined his love for photography and architecture into one when he had to take photographs of buildings in order to build up his personal library on architecture.
1 Can you introduce yourself and talk about how you got into photography?
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2 Where did you study photography?
I did not study photography, I studied architecture at both the undergraduate (Columbia) and graduate (Harvard) levels.
3 Do you remember your first shot? What was it?
My first shots of any value were flowers at my home and animals in the Bronx Zoo in New York. I started seriously taking architectural photographs on a trip to England and I remember taking photos of Chiswick House, a Palladian villa designed by Lord Burlington in 1725.
4 What equipment do you use?
My equipment has varied over the years, starting with a Kodak Brownie Reflex when I was (very) young after which I moved up to a Brownie Starmite and then Instamatic. My first SLR was a Canon FTb which I used for years. Jumping ahead, I have been using a Nikon D810 full frame DSLR and an APS-C mirrorless, Sony a6500. I usually travel with two lenses for each camera
5 What compliment inspired/touched you the most?
I think the first time artists and art historians referred to my photos as art (rather than as mere documentation) was when I started looking at my work a little differently and in a more expansive manner.
6 What inspires your unique storytelling?
I remain in constant awe and admiration of the physical beauty and artifacts created by our species. Great architecture and examples of design inspire me. I do my best to highlight and sometimes isolate the design principles and elements present that make something beautiful. I look for different perspectives. I try to show others the beauty that is around us and that reflects the best of human creativity. I also use my photos as illustrations for the various design courses I teach which lead me to take certain types of photographs.
7 What THREE (3) words describe your photography style?
Color. Composition. Passion.
8 Congratulations! As the winner of the MUSE Photography Awards, what does it mean for you and your team to receive this distinction?
It is a validation that my photography has been recognized by professionals as art and having value. Even more significant (to me), this is the third consecutive year I
9 Can you explain a bit about the winning work you entered into the MUSE Photography Awards, and why you chose to enter this project?
The subject is a detail of St. Pancras station in London that fills the frame with a maximalist look at repeating forms, shapes, and patterns within a limited color palette.
10 How has winning an award developed your career?
For the first time in 40 years as a teacher, I will be taking a sabbatical to specifically work on photography. Working in a polytechnic university required me to show others that my work has received third party validation. The MUSE Awards program was an important part of that process.
11 Name 1-3 photographers who have inspired you.
There are two groups of individuals. Photographers Julius Shulman and Ansel Adams provided inspiration. But architects who were teachers and/or employers were at least as important as a source of inspiration getting me to really see what was out there and to be able to photograph. Those individuals include Urs Gauchat, Robert. A.M. Stern, Moshe Safdie, Michael McKinnell, and Eugene Santomasso. Taking photographs with Steve Zdepski was also inspirational. And I am always inspired and challenged by the new and creative talents I see in my students.
12 What was the best piece of advice you were given starting out, by a mentor or your role model?
I was told by Robert Stern that whatever I do should be professional and executed with the highest standard of care
13 What advice would you give someone who would like to become a photographer today?
Know your subject. I am a much better photographer of architecture because I am an architect and love architecture. I suspect I would have a different take on photographing flowers if I were a horticulturist or botanist rather than looking at plants as architectonic objects.
14 What is your key to success? Any parting words of wisdom?
Find something you like to photograph and find your own voice, something that moves you and appeals to you. Carry your camera with you. Be conscious of Ansel Adams
15 How do you stay in that space of being receptive to new information and knowledge?
I teach at a university. Staying current and up to date is part of the job
